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First Lady of Laughs

Redface: Race, Performance, and Indigeneity

Amputations and Convalescence

Drawing on the past: Palladio, his precursors and knowledge of ancient architecture

Language, Sound, and Image in Wallace Berman’s Aleph, 1956–1966

Maternity: Mothers and Children in the Arts of Africa

Wasps, and Gadflies: The Role of Insect Similes in Homer, Aristophanes, and Plato

The Italian Renaissance Altarpiece

Tasmania’s Museum of Old and New Art and the Intertextual Traces of English Romanticism

Osman Hamdi Bey’s At the Mosque Door and the Urgency of Painting

The Other Side of Reality

Romanticism and the German national discourse in Carl Alexander Simon

States of Australia’s Agri-Environment and Urban Agricultural Design

Say it Again! Saxon!: The Erotic Intimate Space of Reading

Snewíyalh tl’a Staḵw (Teachings of the Water)

The art of contested histories

Can conducting be taught?

Revisiting Apocalypse Now

From Sicily to New York

Female Subjectivities: the Words, Music, and Images of Progressive Metal

Gawkers: Art and Audience in Late Nineteenth-Century France

What the Emperor Built

Beatrice de Roos and the Making of Art

Inner Ear

Dancing Odissi: Paratopic Performances of Gender and State

Hebrew Psalms and the Utrecht Psalter

Of heroes, maidens and squirrels: Reimagining traditional Finnish folk poetry in metal lyrics

Autumn Song: Essays on Absence

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