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Amputations and Convalescence

Drawing on the past: Palladio, his precursors and knowledge of ancient architecture

Language, Sound, and Image in Wallace Berman’s Aleph, 1956–1966

Maternity: Mothers and Children in the Arts of Africa

The Italian Renaissance Altarpiece

Osman Hamdi Bey’s At the Mosque Door and the Urgency of Painting

Romanticism and the German national discourse in Carl Alexander Simon

The art of contested histories

Gawkers: Art and Audience in Late Nineteenth-Century France

What the Emperor Built

Beatrice de Roos and the Making of Art

Hebrew Psalms and the Utrecht Psalter

I Farnese committenti di scavo

The five senses in Hell

Textiles of the Bronze Age

Facing melancholia: racial implications of the disengaged gaze

Ousden Hall Gardens

Truly, Madly, Deeply: Sharing Story on the Bundian Way

Recovering a ‘lost’ account

Asian Self-Representation at World’s Fairs

Aegean Bronze Age Art: Meaning in the Making

The First Modern Museums of Art

Two Decades of American Painting in Australia, 1967

Savage Tales: The Writings of Paul Gauguin

Hope and Healing

The Art of Armenia

Designing Energy Use in a Rural Setting

Robert Peel, John Doyle and Visual Parody

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